Clara Iannotta and Pierre-Yves Macé (pictured above) continue in their own way the path cleared by Helmut Lachenmann and his “concrete instrumental music”. Where their eldest, in Concertini, saw in the concerted treatment of his musical material “delusions within a labyrinth that we have built”, Clara Iannotta diverts his solo instrument, the cello, interested less to his vocality, for example, only to superficial and tenuous sounds or rebounds of the bow on the strings. As for Pierre-Yves Macé, he explores in this order of the EIC “musical” rumors, in this case recordings of street music, brought together for the occasion by the sound artist Jeanne Robet.
Éric-Maria Couturier, cello
Ensemble intercontemporain
Matthias Pintscher, director
Coproduction Ensemble intercontemporain, Autumn Festival in Paris, Philharmonie de Paris
With the assistance of Sacem
Price € 18
Reservations: philharmoniedeparis.fr / 01 44 84 44 84
Before the concert at 19h
Meeting with Pierre-Yves Macé, composer
Free entry